Page Text
PLACEBO PRODUCTS
PRESENTS
JFA
SKATEBOARDS
a. 11" x 32"
b. 10% x 30%"
c. 10 x 29
+$5.00 Shipping
F
NEW LP/CASS OUT NOW
IR
ES
$44.9
$449
$44.9
Free T-Shirt & Sticker
HOLE YOUR TONGU
NEW DON LINCOLN BOARD
(d) SMALL
(e) LARGE
RS
Record
Collection
$45.00 +5.00 SHIPPING
AND THE JFA CATALOG O
CocD
POSTERS T-SHIRTS & BUTTONS
POSTERS T-SHIRTS & BUTTONS
1983 OUT OF SCHOOL TOUR (Picture of Reagan w/target on head) ($7.00)
1984 JFA TOUR T-SHIRT, Untitled ($7.00)
1984 MIGHTY SPHINCTER T-SHIRT (2 color) ($7.00)
1984 JFA TOUR POSTER ($2.50)
S
DB
NOW AVAILABLE:
LONGSLEEVE PAISLEY
SWEATSHIRTS ($15.00)
1985 JFA SKATE TOUR T-SHIRT (4 color) ($8.00)
1985 JFA PAISLEY SKATEBOARD T-SHIRT (4 color) ($8.00)
1986 NEW JFA TOUR POSTER ($3.00)
PEACEBO
RELICS
1986 NEW JFA '86 MY MOVIE TOUR T-SHIRT ($8.00)
1986 NEW MIGHTY SPHINCTER T-SHIRT ($8.00)
1986 RELICS SURFER T-SHIRT ($8.00)
PLACEBO
JFA
1986 RELICS SKATER T-SHIRT ($8.00)
1986 RELICS ROLLER T-SHIRT ($8.00)
1987 NEW JFA PAISLEY SKATE LOGO TIE-DIE ($9.00)
1987 NEW TIE DIE ($8.00)
1986 JFA BUTTON ($1.00)
RELICS
RECORDS
Blatant Localism, EP
$3.00
Valley of the Yakes, LP
$6.00
NEW LP/CASS OUT NOW
DIVINE HORSEMENT
Untitled, LP
$6.00
Mad Garden, EP
$4.50
JFA LIVE, LP
devil's
river
$6.00
My Movie, Single..
$2.50
CASSETTES
Blatant Localism/
Valley of the Yakes
$7.00
Untitled/Mad Garden
$7.00
JFA Live Cassette...
$6.00
STICKERS
Blatant Localism
$.50
Untitled
$.50
Mad Garden.
$.50
JFA Logo
Red, Blue, Purple, Green ..$1.00
JFA Paisley (Vinyl)
$1.00
JFA 'My Movie' Sticker......$1.00
DIVINE HORSEMEN CASS
NEW LP/CASS OUT NOW
FIREHOSE
MY MOVIE
TAG FULLON
"MY MOVIE"
the new single by JFA with 3 brand
new songs
VIDEO
JFA Live at CBGB's
VHS Only, 40 minutes
$29.95+$2.00 Shipping
ADD $1.00 SHIPPING
PER LP OR T-SHIRT
($2.50
PLACEBO PRODUCTS
P.O. BOX 23316
PHX. AZ 85063
Send $1.00 For Catalog & Stickers
C.D.S OUT NOW
PRICES ARE POSTPAID IN THE USA Mae money
wing to SST Recor
WHITE FLAG/NECROS
Jail Jello
The Brigade come together on the boardwalk.
Gastanka Generator U.S.A.
This is a split 12" EP with three
songs by each band. The title, Jail
Jello, has my vote for best title of the
year. Too bad they didn't follow up on
it and do a song to support such a
strong statement.
The first two White Flag songs are
pretty good, mid-tempo, hard driving
numbers with a touch of a rock 'n roll
edge. I can't say too much for the
lyrics, though I will say that they mix
well with the music. Rock and roll
mentality will never die. The third
piece is, in my opinion, a complete
slaughter of the Beatles song "I'm
Down." Give it up boys
As for the Necros side, if I knew
how to spell the sound of a dry-heave,
that's what you would read here.
Since I don't, I guess I'll do a real
review. The first tune is a cover of the
'60's song "Walking the Dog" I've
heard better sounds from a helpless
animal being flattened by a car. The
second song, yet another cover, is
the infamous "Pipeline." Since every
other band in the world has done it,
why not the Necros. Actually they do
a fairly decent version of it. But, then
again, anything would sound good
after the first song. Amazingly
enough, the third song is an original
Too bad it sounds just like the other
side.
If you're into rock and roll, bad
covers of old songs and red vinyl, this
is for you. I think it sucks! PB
THE BRIGADE
Come Together
BYO
The Bro's are back and, therefore,
so is The Brigade. Come Together of
fers us another taste of what some
enjoyed, hated, or just weren't too
sure about. Well, if you weren't sure
about the previous LP, then this is
sure to leave you confused.
Side A offers us four new songs, As the gatefold sleeve opens, the
but rather than expanding on the last record lowers onto the turntable, and
release, it sounds more like the needle is gently placed in its ap-
something that might have preceed-propriate position, a highly-charged
ed it. It tends to lean more toward dose of gothic delight comes scream-
their earlier punk sound than the ing at you. For the most part, an up-
tunes offered up on The Dividing Line. beat, vocal and guitar oriented
Side B brings us, I guess, to what display rings out. However, at times,
you could call "extended dance drums remain dormant while an
mixes" of "The Struggle Within" and acoustic symphony grips and pulls
"War for Peace." Both of which were you further.
written for and released on the
previous LP. Don't get me wrong, this
is in no way Saturday Night Fever
Both songs were great when original
ly released and they are still great,
new mix or not. Open your mind and
listen for yourself. You won't be sorry.
GHOST DANCE
Heart Full Of Soul
Karbon
Hailing from the UK, featuring
Skeletal Family's vocalist, Anne
Marie, comes a three song 12" from
Ghost Dance. Now with a name like
Ghost Dance, you might expect a
dark, eerie, death rock sound. But it
is quite the opposite.
Side one brings us two bright, sub-
pop medley's with upbeat hooks and
never a down moment. Side two
displays more of a poppy-radio
rock/metal sound. It could be a cover
tune, but the record only offers
minimal info, so my head is in the
clouds.
Overall this is a very tasteful hunk
of 12". Fans of Siouxie and the Ban-
shees, ala All About Eve, with a touch
of X-mal Deutschland will really ap-
preciate this. PB
THE MISSION
God's Own Medicine
Mercury
"I still believe in God, but God no
longer believes in me." These are the
first words uttered on what I consider
the best record of '86.
In its attempt to follow the beaten
paths made by acts like Love and
Rockets, Sisters of Mercy and Red
Lorry, Yellow Lorry, I forsee The Mis-
sion soon leading the way for these
bands and many more. PB
HENRY ROLLINS
Hot Animal Machine
Texas Hotel
With Black Flag broken up less
than a year, vocalist Henry Rollins of-
fers up an LP surprisingly much
more solid than the bulk of what the
Flag produced over the course of
their last few albums. Rollins lets it
all hang out on this one. He takes his
cues from other prominent
growlers-Iggy Pop ("Move Right
In) to Nick Cave ("No One") to
David Lee Roth ("Crazy Lover),
while always interjecting the
trademark Rollins charm. He's at his
darkest on "Hot Animal Machine,"
plunging facedirst into the violence
of
self-recognition, a theme that reoc-
curs throughout the album and
reaches an emotional crescendo on
"No One." This, the album's final cut,
ends the record on the bleakest
possible note of alienation and self-
divorcement. Recorded with the aid
of
ex-SOA/Faith/Embrace guitarist
Mike Hampton, the album has guitar
lines that twist to life in a fashion not
unlike those of Birthday Party's
Rowland Howard, alternating bet-
ween contorted and painful and hard
driving and soulful. The scream con-
tinues. MG
PB MG-M